Story: Substance, Structure, Style and The Principles of Screenwriting


Story: Substance, Structure, Style and The Principles of Screenwriting by It Books

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Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience.

In Story, McKee expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. No one better understands how all the elements of a screenplay fit together, and no one is better qualified to explain the "magic" of story construction and the relationship between structure and character than Robert McKee.

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Writing for the screen is quirky business. A writer must labor meticulously over his or her prose, yet very little of that prose is ever heard by filmgoers. The few words that do reach the audience, in the form of the characters' dialogue, are, according to Robert McKee, best left to last in the writing process. ("As Alfred Hitchcock once remarked, 'When the screenplay has been written and the dialogue has been added, we're ready to shoot.' ") In Story, McKee puts into book form what he has been teaching screenwriters for years in his seminar on story structure, which is considered by many to be a prerequisite to the film biz. (The long list of film and television projects that McKee's students have written, directed, or produced includes Air Force One, The Deer Hunter, E.R., A Fish Called Wanda, Forrest Gump, NYPD Blue, and Sleepless in Seattle.) Legions of writers flock to Hollywood in search of easy money, calculating the best way to get rich quick. This book is not for them. McKee is passionate about the art of screenwriting. "No one needs yet another recipe book on how to reheat Hollywood leftovers," he writes. "We need a rediscovery of the underlying tenets of our art, the guiding principles that liberate talent." Story is a true path to just such a rediscovery. In it, McKee offers so much sound advice, drawing from sources as wide ranging as Aristotle and Casablanca, Stanislavski and Chinatown, that it is impossible not to come away feeling immeasurably better equipped to write a screenplay and infinitely more inspired to write a brilliant one.--Jane Steinberg Read more...

Story: Substance, Structure, Style and the Principles of Screenwriting


Story: Substance, Structure, Style and the Principles of Screenwriting by Methuen Publishing

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The Anatomy of Story: 22 Steps to Becoming a Master Storyteller


The Anatomy of Story: 22 Steps to Becoming a Master Storyteller by Faber & Faber

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"If you're ready to graduate from the boy-meets-girl league of screenwriting, meet John Truby . . . [his lessons inspire] epiphanies that make you see the contours of your psyche as sharply as your script."
LA Weekly
 
John Truby is one of the most respected and sought-after story consultants in the film industry, and his students have gone on to pen some of Hollywood’s most successful films, including Sleepless in Seattle, Scream, and Shrek. The Anatomy of Story is his long-awaited first book, and it shares all his secrets for writing a compelling script. Based on the lessons in his award-winning class, Great Screenwriting, The Anatomy of Story draws on a broad range of philosophy and mythology, offering fresh techniques and insightful anecdotes alongside Truby’s own unique approach to building an effective, multifaceted narrative.
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The Story Factor (2nd Revised Edition)


The Story Factor (2nd Revised Edition) by Basic Books

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The new material for this revised edition offers an expanded case study of storytelling in action that focuses on one of Simmons’s success stories. Over one hundred stories drawn from the front lines of business and government, as well as myths, fables, and parables from around the world, illustrate how story can be used to persuade, motivate, and inspire in ways that cold facts, bullet points, and directives can’t. These stories, combined with practical storytelling techniques show anyone how to become a more effective communicator. From “who I am” to “I-know-what-you’re thinking,” Simmons identifies the six stories you need to know how to tell and demonstrates how they can be applied. This revised edition offers a guide to using storytelling in specific business circumstances, including corporate reorganizations, layoffs, and diversity issues.
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Nearly everyone responds to a good yarn, and that's precisely the point behind The Story Factor by Annette Simmons. A "collaborative behavior" consultant to public and private organizations, Simmons argues that storytelling may just be the best management tool available to modern business leaders because it exerts influence in ways that other techniques cannot. And she doesn't suggest that stories be exclusively reserved for formal presentations, either; on the contrary, Simmons shows how they can be used effectively in small group settings and even one-on-one situations. She begins by describing six basic types that can be adapted to any circumstance (Who I Am, Why I Am Here, The Vision, Teaching, Values-In-Action, and I Know What You Are Thinking). She then offers pointers for finding them and advises that ideas be jotted down whenever they appear, built upon consistently, and practiced in private until the telling comes naturally. To that end, she includes helpful tips on presentation, noting that the words are only part of a package that includes body language, clothing, tone, and other components. Follow her lead and you'll likely never relate to any individual or group in the same way again. --Howard Rothman Read more...

David Salinas story just starting to be told
David Salinas story just starting to be told

I again caution that we should wait until we hear more of the story before we decide what the story is. And, as often is the case, I have heard things that I cannot verify as yet, that might turn this strange and sad story in another direction.


Contending Pittsburgh Pirates living 'Cinderella story'
Contending Pittsburgh Pirates living 'Cinderella story'

"This is like a Cinderella story," says Pirates All-Star center fielder Andrew McCutchen, who was in kindergarten the last time the Pirates had a winning season. "It'd be great for our city to end the streak, but after that comes and goes, what's next?


New FX drama 'American Horror Story' set for fall
New FX drama 'American Horror Story' set for fall

FX has ordered 13 episodes of the drama, "American Horror Story," whose cast includes Dylan McDermott, Connie Britton and Jessica Lange. An "American Horror Story" is coming to TV. The FX channel said Monday it has ordered 13 episodes of a new drama it


Cubs' batting average doesn't tell whole story

The Cubs have remained among the National League's top hitting teams, batting .261 entering the game Monday against the Philadelphia Phillies. They trailed only the St. Louis Cardinals


David Salinas story just starting to be told

19.07.11

Night I received several e-mails of basketball players who played for the Houston Select team of David Salinas, who is the center of the latest controversy in the NCAA in a time filled with many of them ( it seems anyway) than usual.

This is the story today in the Chronicle and my column Salinas, who committed suicide Sunday at his home in Friendswood.

I again caution that we should wait until we hear more of the story before deciding what history is. And, as is often the case, I heard things I can not verify yet, that could turn this strange and sad story in a different direction.

Source: Houston Chronicle (blog)

iRiver Story HD review -- Engadget

by Brian Heater

Make no mistake: the Story HD doesn't score any points for looks. Perhaps we're just spoiled having played around so extensively with the latest Nook and Kobo readers, which adopt seamless displays, not unlike smartphones and tablets. But iRiver's device looks downright ancient, bringing to mind the first-generation Kindle, whose own design was already dated when it debuted way back in 2007. The device's case isn't helped along by the inclusion of a miniUSB port (not micro) or the coffee-colored rear and matching pill-shaped buttons on the front, which seem out of place with the device's white face. Some users will certainly welcome the inclusion of the 38 button QWERTY keyboard over the kind of infrared touchscreen found in many other e-readers, though with the device's relatively limited functionality, the need to type doesn't extend too far beyond searching for titles in its book store. The keys themselves are small, uncomfortable slivers that make us long for the Kindle's more comfortable round keys. A spokesperson told us that touch is a feature the company is considering adding in the future -- one gets the feeling that iRiver just sort of missed the boat on it this time around. Oddly, the company also opted not to include page buttons on the bezel of the reader, instead requiring the user to flip through the pages with a large, loose button beneath the screen or arrow buttons located in the bottom left-hand corner of the keyboard. Neither option is particularly ideal. The inclusion of the keyboard also requires a larger footprint. The iRiver measures 7.49 x 5.02 x 0.37 inches, putting it on the larger side of the current generation of readers, making it thicker and wider than the third-generation Kindle, which also crams in a QWERTY keyboard. However, iRiver did knock the weight down to 7.3 ounces, beating out the Kindle and Nook WiFi. The device feels solid and is easy to hold with one hand, though toggling between pages will likely be a two-handed task for most people. The Story HD packs an 800MHz Freescale i.MX508 processor -- the same chip inside the Kobo eReader Touch Edition, and the same clockspeed as the TI OMAP 3 powering the latest Nook. Also like those devices, the iRiver has 2GB of built-in memory -- half what the latest Kindle offers. However, the inclusion of an SD slot (no, we don't mean microSD), renders any quibbles over built-in storage moot. According to iRiver, the device's battery should last around ten weeks, assuming you read for about an hour each day. That sounds like more than most of its fellow readers' claims, but there's really no standardization for measuring e-reader battery life. The fact is that most of these E Ink devices last long enough for you to forget the last time you charged the thing. Not surprisingly, there's no 3G option here, which likely won't bother most shoppers, but it's worth noting, given that Amazon just started selling the Kindle 3G (with ads) for $139. Here's where the whole HD thing comes in. No, the iRiver Story HD doesn't do 1080p playback, and it doesn't hook up to your Blu-ray player, but as far as E Ink displays go, the device packs a lot of pixels into its six-inch screen -- a fact that has been one of iRiver's primary selling points since it announced the device back in January. The display has 768 x 1024 resolution -- that's higher than the Kindle and Nook's industry-standard 600 x 800. The result is undeniably sharp, but given the fact that most readers will be using the device primarily to view pages comprised entirely of text, it's hard to imagine that making a huge difference in the lives of most of its users. When the device was first announced, iRiver also talked up the Story HD's page refresh speed, expecting it to be the fastest of its kind when it hit the market. The Story is certainly fast, but can no longer claim the title of "fastest," with a rate that's now on-par with that of the then unannounced Nook and Kobo. Unlike those readers, however, the Story HD tends to do a full flicker refresh between each page, like the Kindle. Just as it was looking like the Story HD would come to market as a mostly unremarkable device, however, something happened: the company announced a partnership with Google, making it the first e-reader to offer out-of-the-box integration with Google eBooks, giving users access to the software giant's library of 3 million free titles and hundreds of thousands of paid books The reading experience is stripped to pretty much all but its most basic functionality. The default screen page is monopolized entirely by the text, with no title on the top and no page on the bottom -- though numbers do sometimes appear in incredibly small font in the right margin. Your progress also flashes on the screen every time you turn the page or click the Option button. The UI is quite barebones, with a homepage consisting of a straightforward list of the reader's contents. The titles can be sorted by name, date downloaded, favorites, and author. Toggling through all of this using the device's buttons made us really miss the touch functionality on the Nook and Kobo. Above that, you'll find a column showing the title you're currently reading, along with a small thumbnail of the cover. The top of the screen, meanwhile, is dedicated to a Google eBookstore link, which looks rather a lot a banner ad. Clicking on the eBookstore column will prompt you to connect to a wireless network -- the device seemed have some trouble maintaining a connection, even when the network was strong, prompting us to log in multiple times. The store itself is also fairly bare, offering a simple search box at the top and defaulting to a list of best sellers below. The Categories feature offers up some more options, if top selling books aren't your thing.

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